Photon & Pixel
The Motion Imaging Journal
MONDAY, APRIL 6, 2026  ·  Updated Daily  ·  photonandpixeljournal.com
▶ TODAY:  ZEISS AATMA PRIME T1.5 CINE LENSES ANNOUNCED — NINE FOCAL LENGTHS, LARGE FORMAT, JUNE DELIVERY  ·  SIGMA AF CINE 28-105MM T3 FF CINEMA ZOOM CONFIRMED FOR APRIL 16 RELEASE AT $3,399  ·  BLAZAR ANNOUNCES VIPER SERIES FULL-FRAME 1.5X MANUAL ANAMORPHIC LENSES — LIGHTER ALTERNATIVE  ·  GOPRO CONFIRMS NEXT-GEN CAMERAS WITH LARGER SENSORS, CINEMATIC RENDERING
◆ Top Story
SIGMA LAUNCHES AF CINE 28-105MM T3 FF CINEMA ZOOM APRIL 16, 2026
Sigma's second autofocus cinema lens brings professional cine ergonomics and silent tracking to hybrid filmmakers. Available in L-Mount and Sony E-mount at $3,399, the zoom covers documentary, commercial, and gimbal work with geared rings and clickless aperture control.
Newsshooter  ·  February 23, 2026
▶ Used & Vintage Market
BLACKMAGIC CINEMA CAMERA 6K REACHES LOWEST AMAZON PRICE AT $2,898 FOR HOLIDAY 2026
Y.M.Cinema Magazine
CANON EOS R3 PREMIUM FLAGHIP LISTED AT $3,700 ON AMAZON RENEWED — SIGNIFICANT DISCOUNT
Y.M.Cinema Magazine
VINTAGE SONY CYBERSHOTS AND NIKON COOLPIX SELLING AT INFLATED PRICES ON EBAY — RETRO SURGE
RedShark News
SONY A7 III STEADY SALES ON AMAZON — POPULAR CAMERA CONTINUES STRONG USED MARKET
Y.M.Cinema Magazine
URSA MINI PRO 12K RESURGENCE — INDEPENDENT FILMMAKERS REVISITING DEDICATED CINEMA TOOLS
Y.M.Cinema Magazine
📷 NEW GEAR
ZEISS AATMA PRIME T1.5 CINE LENSES ANNOUNCED — NINE FOCAL LENGTHS, LARGE FORMAT, JUNE DELIVERY
Newsshooter  ·  February 10, 2026
SIGMA AF CINE 28-105MM T3 FF CINEMA ZOOM CONFIRMED FOR APRIL 16 RELEASE AT $3,399
PetaPixel  ·  February 24, 2026
BLAZAR ANNOUNCES VIPER SERIES FULL-FRAME 1.5X MANUAL ANAMORPHIC LENSES — LIGHTER ALTERNATIVE
PetaPixel  ·  March 11, 2026
GOPRO CONFIRMS NEXT-GEN CAMERAS WITH LARGER SENSORS, CINEMATIC RENDERING
Y.M.Cinema Magazine  ·  April 3, 2026
CANON CINE-SERVO 11-55MM COMPACT-SERVO ZOOM DESIGNED FOR 8K HDR CINEMA PRODUCTION
No Film School  ·  February 12, 2026
FUJIFILM ANNOUNCES THREE NEW 4K BROADCAST ZOOM LENSES AHEAD OF NAB 2026
No Film School  ·  3 weeks ago
OPENAI UNVEILS ENGINE CINEMA LARGE-FORMAT AI-NATIVE CAMERA — APRIL 1 REVEAL
Y.M.Cinema Magazine  ·  April 1, 2026
🏆 FESTIVALS & AWARDS
40TH ASC AWARDS 2026 — MICHAEL BAUMAN WINS THEATRICAL FEATURE FOR ONE BATTLE AFTER ANOTHER
Deadline  ·  March 9, 2026
ASC AWARDS 2026 HIGHLIGHTS — RODRIGO PRIETO WINS MUSIC VIDEO FOR TAYLOR SWIFT FATE OF OPHELIA
American Society of Cinematographers  ·  March 8, 2026
OSCAR 2026 CINEMATOGRAPHY FRONTRUNNERS — SINNERS AUTUMN DURALD ARKAPAW DOMINATES CRITICS
The Hollywood Reporter  ·  March 9, 2026
ASC CAREER ACHIEVEMENT TELEVISION AWARD — M. DAVID MULLEN HONORED FOR MARVELOUS MRS MAISEL
American Society of Cinematographers  ·  March 8, 2026
DOCUMENTARY CINEMATOGRAPHY ASC AWARD — MSTYSLAV CHERNOV WINS 2000 METERS FROM ANDRIIVKA
Deadline  ·  March 9, 2026
BAFTA CINEMATOGRAPHY 2026 — MICHAEL BAUMAN WINS FOR ONE BATTLE AFTER ANOTHER
AwardsWatch  ·  March 13, 2026
📈 BUSINESS & DEALS
ARRI CONFIRMS STRATEGIC INVESTMENT IN LIGHTING AND CAMERA ECOSYSTEM FOR 2026 AND BEYOND
Y.M.Cinema Magazine  ·  December 16, 2025
NIKON ZR CINEMA CAMERA LAUNCH FOLLOWS RED DIGITAL CINEMA ACQUISITION APRIL 2024
Fstoppers  ·  February 21, 2026
PANAVISION CONTINUES SUPPORT OF AFI CINEMATOGRAPHY INTENSIVE WORKSHOP 2026
Variety  ·  3 weeks ago
KODAK RECEIVES CURTIS CLARK ASC TECHNOLOGY AWARD AT 40TH ASC AWARDS
The Hollywood Reporter  ·  March 9, 2026
BLACKMAGIC DISCOUNTS ACTIVE ACROSS PRODUCT LINE — URSA MINI PRO 12K DOWN $3,530
Digital Camera World  ·  2 weeks ago
FUJIFILM GFX ETERNA 55 SIMULATOR RELEASED FOR PUBLIC BROWSER-BASED TESTING
Y.M.Cinema Magazine  ·  January 9, 2026
🎥 CAMERA NEWS
ARRI REAFFIRMS COMMITMENT TO ALEXA CAMERA FAMILY EXPANSION, LIGHTING ROADMAP THROUGH 2026
No Film School  ·  December 17, 2025
CANON BREAKS DOWN OPEN GATE RECORDING FOR MODERN FILMMAKERS — SUNDANCE 2026 TECH TALK
Y.M.Cinema Magazine  ·  March 8, 2026
BLACKMAGIC RUMORED URSA CINE 6K LF LAUNCH APRIL 2026 WITH RGBW SENSOR, 320 FPS CAPABILITY
Photo Rumors  ·  October 17, 2025
SONY VENICE 2 GAINS MOMENTUM AT SUNDANCE 2026 ALONGSIDE ARRI DOMINANCE
Y.M.Cinema Magazine  ·  February 4, 2026
CAMERA INDUSTRY SLOWDOWN 2026 — COMPACT REVIVAL AND MEMORY CRISIS AFFECTING PRODUCTION
RedShark News  ·  2 weeks ago
NIKON ZR CINEMA CAMERA DEMONSTRATES STRATEGIC VIDEO INVESTMENT FOLLOWING RED ACQUISITION
Fstoppers  ·  February 21, 2026
🔍 LENSES & OPTICS
ZEISS AATMA PRIME T1.5 LARGE-FORMAT CINE LENSES — NINE FOCAL LENGTHS WITH EXTENDED DATA COMPATIBILITY
American Society of Cinematographers  ·  February 16, 2026
SIGMA INTRODUCES THREE LENSES SPRING 2026 — AF CINE 28-105MM, 35MM F1.4 ART II, 15MM CONTEMPORARY
American Society of Cinematographers  ·  March 2, 2026
BLAZAR VIPER SERIES ANAMORPHIC LENSES — LIGHTER, SHARPER ALTERNATIVE TO REMUS DESIGN
PetaPixel  ·  March 11, 2026
ANAMORPHIC LENSES SURGE IN 2026 — SIRUI, LAOWA, ZEISS, BLAZAR EXPAND FULL-FRAME OPTIONS
Digital Camera World  ·  February 16, 2026
LARGE-FORMAT CINEMA LENSES CHALLENGE — SOLUTIONS FOR URSA CINE 17K 65 AND GFX ETERNA 55
No Film School  ·  April 1, 2026
TAMRON ROADMAP REVEALS UP TO 10 NEW INTERCHANGEABLE LENSES FOR 2026 ACROSS MULTIPLE MOUNTS
No Film School  ·  February 10, 2026
WHAT ANAMORPHIC LENSES FEEL MORE CINEMATIC — OPTICAL IMPERFECTIONS DRIVE APPEAL
Fstoppers  ·  1 month ago
📺 ON SET
SXSW 2026 CAMERA BREAKDOWN — ARRI ALEXA 35 DOMINATES WITH 23 OUT OF 50 FEATURES
Y.M.Cinema Magazine  ·  March 15, 2026
SUNDANCE 2026 FEATURES — ALEXA 35 USED ON 16 PRODUCTIONS, OVERWHELMINGLY DOMINATES NARRATIVE
Y.M.Cinema Magazine  ·  February 4, 2026
OSCARS 2026 NOMINEES REVEAL FILM REVIVAL — SIX NOMINATED FEATURES SHOT ON CELLULOID
RedShark News  ·  3 weeks ago
SUNDANCE DOCUMENTARIES 2026 — SONY FX6/FX3 LEAD PACK FOR INDIE FILMMAKERS
IndieWire  ·  January 28, 2026
RED AND ARRI COLLABORATE ON LIMITED EDITION RAPTOR XL FOR TRON FILM WITH DNA LENSES
No Film School  ·  January 24, 2024
DUNE PART THREE SHOT ON FILM INCLUDING IMAX 70MM CAPTURE — MAJOR TECHNICAL SHIFT
Y.M.Cinema Magazine  ·  March 15, 2026
🌟 DPs & OPERATORS
TRAIN DREAMS DP ADOLPHO VELOSO ON TAMING NATURE FOR AWARDS-SEASON CONTENDER
Deadline  ·  January 14, 2026
CINEMATOGRAPHER LAWRENCE SHER ON DIRECTOR-DP TRUST AND COLLABORATION ON SET
No Film School  ·  January 8, 2026
SUNDANCE 2026 — EIGHT CINEMATOGRAPHERS SHARE SHOOTING STRATEGIES AND INSPIRATION
American Society of Cinematographers  ·  February 1, 2026
AFI CINEMATOGRAPHY INTENSIVE 2026 CLASS UNVEILED — EMERGING DP TALENT ANNOUNCED
Variety  ·  3 weeks ago
SEVERANCE DP JESSICA LEE GAGNÉ TRANSITIONS TO DIRECTOR FOR SEASON 2 EPISODE
AV Club  ·  September 9, 2025
INDIE FILMMAKERS AT SUNDANCE PRIORITIZE SONY FX6/FX3 FOR DOCUMENTARY MOBILITY AND DISCRETION
Kameha Media Group  ·  February 2, 2026
🌈 COLOUR & POST
BEST FREE LUTS COLOR GRADING 2026 — KODACHROME, PORTRA, FILM EMULATION COLLECTIONS
PresetPro  ·  February 9, 2026
2016 CINEMA LOOK COLOR GRADING GUIDE 2026 — RECREATE LA LA LAND AND MOONLIGHT AESTHETICS
Passion Fuels Ambition  ·  5 days ago
LUTS COLOUR GRADING COMPARISON — 3D VS 1D LOOKUP TABLES FOR CINEMA PRODUCTION
MasterClass  ·  August 19, 2021
FILM EMULATION AND CINEMATIC COLOR SCIENCE DOMINATE 2026 GRADING TRENDS
Lutify.me  ·  No date provided
RAW PROCESSING AND CODEC NEWS — SONY X-OCN 2.0 WHITE PAPER REFRESHED
Y.M.Cinema Magazine  ·  March 15, 2026
DAVINCI RESOLVE WORKFLOW STREAMLINED FOR RAW PROCESSING AND COLOUR GRADING EFFICIENCY
Digital Camera World  ·  2 weeks ago
📚 DEEP DIVES
ARRI REAFFIRMS LONG-TERM VISION AS ROLEX OF CINEMA — QUALITY OVER DISRUPTION STRATEGY
Y.M.Cinema Magazine  ·  December 16, 2025
THE ALEXA 35 DOMINANCE EXPLAINED — WHY CINEMATOGRAPHERS TRUST ONE CAMERA AT SCALE
Y.M.Cinema Magazine  ·  February 4, 2026
DOCUMENTARY VS NARRATIVE CINEMATOGRAPHY 2026 — DIVERGING TECHNICAL PHILOSOPHIES AT SUNDANCE
Kameha Media Group  ·  February 2, 2026
ANAMORPHIC LENSES IN 2026 — FROM NICHE CINEMA TOOLS TO MIRRORLESS STANDARD
Fstoppers  ·  1 month ago
HOW EVEN ANIMATED MOVIES NOW SIMULATE ANAMORPHIC LENS CHARACTER IN 2026
PetaPixel  ·  April 2, 2026
LARGE FORMAT CINEMA CAMERAS 2026 — SENSOR SIZE EXPLOSION CREATES LENS LANDSCAPE CHALLENGE
No Film School  ·  April 1, 2026
Photon & Pixel
The Motion Imaging Journal

Photon & Pixel is a daily news aggregator for cinema camera and lens professionals. Updated every morning, we track the gear, the people, and the business of motion imaging — across narrative, documentary, and commercial production.

From ARRI announcements to vintage glass rehousings, from DP profiles to colour science deep dives — if it shapes how motion pictures are captured, you’ll find it here.

Photon & Pixel is independently published and has no financial relationship with any manufacturer, rental house, or distributor. All links belong to their original publishers.

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