PHOTON & PIXEL — Tuesday, June 2, 2026

▶ TODAY

ZEISS PANOPTES 65 CINEMA LENSES ANNOUNCED FOR CINE GEAR EXPO LA ∙ KINEFINITY VISTA PERSONAL CINEMA CAMERA TEASED AT NAB 2026; OFFICIAL REVEAL EXPECTED AT CINE GEAR IN JUNE ∙ CANON CINE-SERVO 40-1200MM T5.0-10.8 LENS ANNOUNCED AT NAB 2026; WORLD'S LONGEST CINEMA SERVO LENS ∙ RED V-RAPTOR XE DEBUTS AT BSC EXPO; AFFORDABLE LARGE-FORMAT CINEMA CAMERA AT $14,995 ENTRY POINT ∙ ZEISS CINCRAFT LENSCORE OFFICIALLY LAUNCHES; RAY-TRACED CINEMA LENS LOOKS PLUGIN FOR NUKE NOW AVAILABLE ∙ SIGMA AF CINE 28-105MM T3 FF LENS SHIPS APRIL 16, 2026; AUTOFOCUS ZOOM WITH MECHANICAL FOCUS COUPLING ZEISS PANOPTES 65 CINEMA LENSES ANNOUNCED FOR CINE GEAR EXPO LA ∙ KINEFINITY VISTA PERSONAL CINEMA CAMERA TEASED AT NAB 2026; OFFICIAL REVEAL EXPECTED AT CINE GEAR IN JUNE ∙ CANON CINE-SERVO 40-1200MM T5.0-10.8 LENS ANNOUNCED AT NAB 2026; WORLD'S LONGEST CINEMA SERVO LENS ∙ RED V-RAPTOR XE DEBUTS AT BSC EXPO; AFFORDABLE LARGE-FORMAT CINEMA CAMERA AT $14,995 ENTRY POINT ∙ ZEISS CINCRAFT LENSCORE OFFICIALLY LAUNCHES; RAY-TRACED CINEMA LENS LOOKS PLUGIN FOR NUKE NOW AVAILABLE ∙ SIGMA AF CINE 28-105MM T3 FF LENS SHIPS APRIL 16, 2026; AUTOFOCUS ZOOM WITH MECHANICAL FOCUS COUPLING

◆ Top Story

ZEISS PANOPTES 65 CINEMA LENSES DEBUT AT CINE GEAR EXPO LA; 10-LENS 65MM PRIME SET NOW SHIPPING SUMMER 2026

Zeiss unveils its definitive large-format cinema prime lineup at Cine Gear Expo LA on June 5–6, 2026. The Panoptes 65 comprises ten focal lengths (25–180mm), all at T2.2, engineered for VFX pipelines and compositing workflows with full lens data support via eXtended Data (XD) and CinCraft ecosystem integration. Core deliveries begin late summer 2026.

ProVideo Coalition · May 28, 2026

📷 NEW GEAR

ZEISS PANOPTES 65 CINEMA LENSES ANNOUNCED FOR CINE GEAR EXPO LA

PRONEWS · May 28, 2026

KINEFINITY VISTA PERSONAL CINEMA CAMERA TEASED AT NAB 2026; OFFICIAL REVEAL EXPECTED AT CINE GEAR IN JUNE

Newsshooter · April 20, 2026

CANON CINE-SERVO 40-1200MM T5.0-10.8 LENS ANNOUNCED AT NAB 2026; WORLD'S LONGEST CINEMA SERVO LENS

CineD · April 20, 2026

RED V-RAPTOR XE DEBUTS AT BSC EXPO; AFFORDABLE LARGE-FORMAT CINEMA CAMERA AT $14,995 ENTRY POINT

RED Digital Cinema · February 6, 2026

ZEISS CINCRAFT LENSCORE OFFICIALLY LAUNCHES; RAY-TRACED CINEMA LENS LOOKS PLUGIN FOR NUKE NOW AVAILABLE

CineD · May 31, 2026

SIGMA AF CINE 28-105MM T3 FF LENS SHIPS APRIL 16, 2026; AUTOFOCUS ZOOM WITH MECHANICAL FOCUS COUPLING

PetaPixel · February 24, 2026

🔍 LENSES & OPTICS

ZEISS PANOPTES 65 CINEMA PRIMES DEBUT AT CINE GEAR EXPO LA; 10-LENS 65MM SET FOR LARGE-FORMAT PRODUCTION

Cinematography World · May 30, 2026

CANON CINE-SERVO 40-1200MM T5.0-10.8 ULTRA-TELEPHOTO ZOOM ANNOUNCED; WORLD'S LONGEST CINE ZOOM LENS WITH 1.5X EXTENDER

ProVideo Coalition · April 22, 2026

ZEISS AATMA CINEMA LENSES PRE-ORDER OPENS; NINE FULL-FRAME PRIMES AT T1.5 FOR HIGH-END NARRATIVE PRODUCTION

Digital Camera World · February 11, 2026

LIGHT LENS LAB ANNOUNCES 75MM F/1.5 Z21 LENS FOR LEICA M-MOUNT; EXPANDING VINTAGE-INSPIRED Z21 SERIES ON JUNE 5, 2026

Leica Rumors · June 1, 2026

THYPOCH RELEASES SIMERA-C 16MM T1.9 CINE LENS & SIX-LENS CINEMA KIT FOR LEICA M-MOUNT

Leica Rumors · May 2026

COOKE S2/S3 ANAMORPHIC LENSES FAVORED AT SUNDANCE 2026; VINTAGE-STYLE PRIMES GAINING TRACTION FOR STORYBOOK AESTHETICS

IndieWire · February 1, 2026

🎥 CAMERA NEWS

RED FIRMWARE 2.2 TURNS V-RAPTOR INTO 8K LIVE PRODUCTION CAMERA; BROADCAST R3D, PHANTOM TRACK, RED CONNECT UPGRADES

Y.M.Cinema Magazine · May 30, 2026

RED RELEASES MAJOR FIRMWARE UPDATES FOR V-RAPTOR AND KOMODO-X CAMERAS; ENHANCED PERFORMANCE AND BROADCAST CAPABILITIES

No Film School · June 1, 2026

ARRI RELEASES SOFTWARE UPDATE 6.0.2 FOR ALEXA 35 XTREME / ALEXA 35 / ALEXA 35 LIVE; MANDATORY UPDATE ADDRESSES EI SETTING ISSUE

Newsshooter · May 4, 2026

BLACKMAGIC URSA CINE 17K & 12K FEATURED AT CANNES 2026; GAINING FESTIVAL PRESTIGE ALONGSIDE ARRI DOMINANCE

Y.M.Cinema Magazine · May 21, 2026

ARRI ALEXA 35 LIVE DOMINATES AT CANNES 2026; USED ON 27 FEATURE FILMS AS PRESTIGE CINEMA STANDARD

Y.M.Cinema Magazine · May 21, 2026

SONY FX3 CONTINUES PRESENCE IN PRESTIGIOUS CINEMA; SUNDANCE 2026 FEATURES COMPACT CINEMA BODY IN MULTIPLE NARRATIVE FILMS

Y.M.Cinema Magazine · February 4, 2026

📺 ON SET

EUROVISION 2026 SHOT ON 24 ARRI ALEXA 35 LIVE CAMERAS; FIRST MASSIVE BROADCAST DEPLOYMENT OF CINEMA CAMERAS AT LIVE EVENT

CineD · June 1, 2026

ARRI ALEXA 35 LIVE CAMERAS AT EUROVISION 2026; BEHIND-THE-SCENES DOCUMENTARY OF BIGGEST BROADCAST DEPLOYMENT IN ARRI HISTORY

CineD · May 21, 2026

CANNES 2026 CAMERA SURVEY: ARRI ALEXA 35 DOMINATES WITH 27 FEATURES; FILM AND BLACKMAGIC URSA CINE GAIN PRESTIGE

Y.M.Cinema Magazine · May 21, 2026

SUNDANCE 2026 CAMERA PACKAGES REVEAL ARRI DOMINANCE; ALEXA 35 ON 16 FEATURES, SONY VENICE 2 ON 8

Y.M.Cinema Magazine · February 4, 2026

SXSW 2026 CINEMATOGRAPHY SURVEY: MIXED CAMERA FORMATS ACROSS INDIE FEATURES; ARRI, SONY, AND FILM ALL REPRESENTED

IndieWire · March 14, 2026

DUNE PART THREE SHOT ON 70MM IMAX FILM; MAJOR STUDIOS RETURN TO CELLULOID FOR PRESTIGE TENT-POLE NARRATIVES

M&E - Media and Entertainment · May 28, 2026

🌟 DPs & OPERATORS

TAYLOR CLEMONS ON CINEMATOGRAPHY OF OBSESSION; FROM SAILBOAT TO HORROR DEBUT WITH CURRY BARKER

Focus Features · May 22, 2026

ADOLPHO VELOSO ON SHOOTING TRAIN DREAMS; PAIRING NATURALISM WITH EMOTIONAL DEPTH FOR NETFLIX FEATURE

Deadline · January 14, 2026

JOMO FRAY ON NICKEL BOYS POV CINEMATOGRAPHY; FIRST-PERSON BODY RIG FILMING AND ACTOR INTIMACY ON SET

Film Independent · November 27, 2024

CANNES 2026 DP INTERVIEWS: CINEMATOGRAPHER PERSPECTIVES ON ALEXA 35, FILM STOCKS, ANAMORPHIC GLASS

IndieWire · May 21, 2026

MICHAEL BAUMAN ON ONE BATTLE AFTER ANOTHER; ASC AWARD-WINNING CINEMATOGRAPHY FOR PAUL THOMAS ANDERSON FEATURE

Deadline · March 9, 2026

🌈 COLOUR & POST

DAVINCI RESOLVE COLOR GRADING BRAW WORKFLOW 2026; RAW DECODE, EXPOSURE CORRECTION, AND SKIN TONE MATCHING

AAAPresets · May 30, 2026

AI COLOR GRADING IN 2026; HYBRID WORKFLOW PAIRS AI TECHNICAL PASS WITH MANUAL CREATIVE GRADING

Pixflow · June 2, 2026

ZEISS CINCRAFT LENSCORE LAUNCHES FOR NUKE; RAY-TRACED VIRTUAL LENS PLUGIN WITH REAL ZEISS LENS PROFILES

CineD · May 31, 2026

COLOR GRADING SOFTWARE LANDSCAPE 2026; DAVINCI RESOLVE DOMINATES INDIE PRODUCTION, BASELIGHT DOMINATES HIGH-END FEATURES

Shade · April 4, 2026

AI VS MANUAL COLOR GRADING 2026; COLORISTS LAND ON HYBRID APPROACH FOR EFFICIENCY AND CREATIVE CONTROL

Passion Fuels Ambition · May 27, 2026

BEST AI COLOR GRADING TOOLS 2026; COLOURLAB AI WINS FOR BATCH PROCESSING, CINEDEF FOR FILM EMULATION

Passion Fuels Ambition · May 27, 2026

🏆 FESTIVALS & AWARDS

40TH ANNUAL ASC AWARDS WINNERS ANNOUNCED; MICHAEL BAUMAN WINS THEATRICAL FEATURE FOR ONE BATTLE AFTER ANOTHER

Deadline · March 9, 2026

ASC AWARDS 2026 FEATURE CINEMATOGRAPHY: BAUMAN BEATS ARKAPAW, VELOSO, LAUSTSEN, KHONDJI FOR TOP PRIZE

The Hollywood Reporter · March 10, 2026

ASC AWARDS 2026 TV WINNERS; TIE BETWEEN ANDOR AND TASK IN ONE-HOUR SERIES CATEGORY

Deadline · March 9, 2026

ASC HONORS GUILLERMO DEL TORO WITH BOARD OF GOVERNORS AWARD; ROBERT YEOMAN RECEIVES LIFETIME ACHIEVEMENT

The Hollywood Reporter · March 10, 2026

CAMERIMAGE 2026 ANNOUNCES CALEB DESCHANEL AS LIFETIME ACHIEVEMENT HONOREE; FIVE-TIME OSCAR NOMINEE CELEBRATED

M&E - Media and Entertainment · May 28, 2026

CANNES 2026 CINEMATOGRAPHY REPORT; ARRI DOMINANCE CONFIRMED, FILM REMAINS PRESTIGIOUS, BLACKMAGIC ENTERS FESTIVAL CONVERSATION

M&E - Media and Entertainment · May 28, 2026

📈 BUSINESS & DEALS

THOMAS RIEDEL ACQUIRES ARRI IN LANDMARK DEAL; RIEDEL GROUP TAKES OVER ICONIC GERMAN CINEMA BRAND

No Film School · April 14, 2026

ARRI ACQUISITION BY RIEDEL COMMUNICATIONS; STRATEGIC FIT FOR LIVE PRODUCTION AND BROADCAST EXPANSION

CineD · April 14, 2026

ARRI AND RIEDEL DEBUT FIRST LIVE DEPLOYMENT AT EUROVISION 2026; CINEMATIC BROADCASTING PARTNERSHIP IN ACTION

Y.M.Cinema Magazine · April 17, 2026

ARRI REAFFIRMS COMMITMENT TO LIGHTING AND CAMERA SYSTEMS; 2026 ROADMAP INCLUDES NEW TECHNOLOGY LAUNCHES

CineD · December 17, 2025

ARRI LICENSING IMAGE SCIENCE TO HONOR SMARTPHONES; NEW PARTNERSHIP DIVERSIFIES IMAGING TECHNOLOGY BEYOND CINEMA HARDWARE

CineD · April 14, 2026

📚 DEEP DIVES

ZEISS PANOPTES 65 CINEMA LENSES AT CINE GEAR EXPO LA; OPTICAL ENGINEERING FOR LARGE-FORMAT VFX PIPELINES

ProVideo Coalition · May 30, 2026

RED FIRMWARE 2.2 STRATEGIC SHIFT; REDEFINING V-RAPTOR AS LIVE PRODUCTION SYSTEM BEYOND CINEMA R3D CAPTURE

Y.M.Cinema Magazine · May 30, 2026

ARRI ALEXA 35 LIVE AT EUROVISION 2026; CINEMATIC BROADCASTING AT SCALE, BROADCAST INTEGRATION, AND LIVE COLOR WORKFLOWS

CineD · June 1, 2026

CANNES 2026 CAMERA CHOICES; ARRI DOMINANCE, FILM PRESTIGE, BLACKMAGIC EMERGENCE, AND MULTIPLE PARALLEL PIPELINES

M&E - Media and Entertainment · May 28, 2026

SUNDANCE 2026 NARRATIVE CINEMATOGRAPHY; ARRI ECOSYSTEM DOMINATES INDIE FEATURES, SONY VENICE 2 AND FX3 GAIN GROUND

Y.M.Cinema Magazine · February 4, 2026

COLOUR GRADING LANDSCAPE 2026; AI ACCELERATION MEETS MANUAL CRAFT, DAVINCI RESOLVE LEADS INDIE PRODUCTION

Shade · April 4, 2026